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2024
2023
przesuń do poprzedniego roku

22nd Volume (2024)
Polish Music: Artists, Problems, Contexts

This volume of the ‘Polish Musicological Yearbook’ features articles stemming from the 52nd Musicological Conference of the Polish Composers' Union held in Rzeszów and Strzyżów in 2023. The collection centers on ‘Polish music’ as its unifying theme. Contributors explore the lives of forgotten virtuosos, examine works by distinguished composers and conductors, and investigate Polish music in its international contexts. The publication addresses both historical developments and socio-aesthetic dimensions of Polish musical culture—ranging from individual artistic profiles to broader cultural phenomena. The volume is supplemented by an article on Shostakovich’s music for animated films, expanding the research scope and fulfilling the journal's goal of presenting scholarly work from various academic centers.
Prof. Iwona Lindstedt – editor-in-chief

The e-publication of the ‘Polish Yearbook of Musicology’ 2024 (vol. 22) was co-financed from means of the Ministry of Culture and National Heritage of the Polish Republic, from the Culture Promotion Fund  a state earmarked fund.


Logo of the Polish Ministry of Culture and National Heritage


Editorial

Composers

MARIA WILCZEK‑KRUPA
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent

MARTA SZOKA
The compositional output of Paweł Klecki, Jan Krenz and Stanisław Skrowaczewski in a historical perspective

BARBARA LITERSKA
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)

Problems 

LUBA KIJANOWSKA‑KAMIŃSKA
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries

EWA KOWALSKA‑ZAJĄC
Is notational “fingerprint” still possible?
Some comments on the idiomaticity of 20th‑century notation
 
 Contextual Perspectives

ANDREA F. BOHLMAN
The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action

RENATA SUCHOWIEJKO
The wartime experiences of Zygmunt Mycielski and the Polish post‑war reality as illustrated by Mycielski’s letters to Nadia Boulanger (1939–1960): reading notes

ALEKSANDRA KŁAPUT‑WIśNIEWSKA
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works

Varia

KATARZYNA BABULEWICZ
Two Soviet Animated Films for Children with Music by Dmitri Shostakovich

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